Tuesday, August 16, 2011

Chopin Etude No 10 No. 2 audio + notes

Martha Goldstein noted: pf The reason to "lock" can be heard in this piece, because it is on a 1851 Erard piano is played. Additional information: What would be the Etudes of Chopin on the piano sound from the time of Chopin? We will never know the true answer, but Martha Goldstein gives us at least a clue, when he recorded the complete set of Chopin Etudes on a Erard compared to 1851. First a word on the piano. The invention of the double lock mechanism by Sebastian Erard in 1822 has transformed theto the technical possibilities of the piano of Beethoven for piano by Chopin. The Etudes of Chopin were now possible because of this increase in performance. These early pianos sound different from that of the modern piano. They are designed for low string tension, with lights, bridge lighting and a sound card thin. As a result, the explosive sound produced and decays rapidly. The rapid decay of these pianos have a special character. There is more clarity in fast passage-work, as the modern wing. TheBeginning piano methods gave a high value on speed, because it was a prerequisite for the brilliance of these tools. Related and support the powers of the device are small compared to the great modern. Were played faster because of slow movements, as evidenced by metronome marks in the early editions of the Etudes. The search of the legacy was a permanent struggle for the pianist. The Erard grand piano was known during the era of Chopin. Unfortunately, the doors of Erard now closed, the...

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