Monday, December 26, 2011

Tips on Choosing a Steinway Piano

!±8± Tips on Choosing a Steinway Piano

When selecting a Steinway piano, it is important to understand that no two Steinways are the same. The company hand crafts each piano to bring out its own unique characteristics. For this reason, when choosing a Steinway piano, you should focus on meeting your own tastes, expectations, personality, and needs. With the proper information, you will have the knowledge to choose the best piano for you.

Sound: The sound of the Steinway piano is an important consideration when choosing the best piano for you. The woods used in making these pianos will cause the sounds to vary for each piano. For instance, sounds can vary from warm, shallow, and deep. As well, there can be a variation of richness, clarity, as well as level of brilliance. Your choice will depend on your personal preference so you should think about how you feel and what you hear.

Style: The piano can be considered a special piece of furniture and the type of style should be contemplated. Consider how well the style of the piano will integrate with the room. You should take into account which style best reflects the design and ambiance of the room. For instance, an ebony piano finish will look good with a room that expresses a professional or tasteful elegance. As well, a classic ebony spade leg looks good in a room with a traditional or timeless look.

Sensation: The sensation or feel of the keys is an important consideration when selecting a Steinway piano. The sensation means how much control you feel you have over the sound (tone). How heavy are the keys when you press them? It is recommended that you choose a piano has a light weight keys as it gives better control over the sound that produces. A quality piano is a piano that does not have a shallow or tinny tone, but a warm and round quality tone that fills the room with vibrations that lasts long.

Size: The size of the piano is another important factor to consider when choosing a your piano. Since every room differs acoustically, it is difficult create a set guideline for choosing the size of the piano. However, if you want a piano for its rich harmonic and tonal quality the largest instrument is the best choice. Also, a room that is at least 4 times the size of the piano is a good general guideline. If you are not sure, a Steinway dealer can provide you a grand piano template to help visualize the various sizes available. As well, the door and window placement also play a part in calculating the size of the piano. You can always bring a drawing of the room and its dimensions to the dealer.

Shopping for a Steinway piano is very different from picking out a furniture piece. You have to understand the quality and characteristics of the handcrafted instrument that makes each piano unique. A Steinway piano makes a great musical investment as it increases in value over the years and it lasts a lifetime.


Tips on Choosing a Steinway Piano

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Friday, December 9, 2011

Part 09 - Moby Dick by Herman Melville (Chs 105-123)

Part 9. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Stewart Wills. Playlist for Moby Dick by Herman Melville: www.youtube.com

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Wednesday, November 30, 2011

Grand Piano Cufflinks - One Size

!±8± Grand Piano Cufflinks - One Size


Rate : | Price : $194.95 | Post Date : Nov 30, 2011 13:39:16
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Sunday, November 20, 2011

Interior Design Ideas For Living Rooms

!±8± Interior Design Ideas For Living Rooms

The areas that may be considered as the busiest parts of most houses are the living rooms. They are also the main spaces that create a good or bad impression of a lot of homes today. Because of this, these particular areas have to be perfectly planned and carried out in terms of designs, decorations, etc. for them to be warm and inviting, not only to the residents, but also to the visitors.

There are a number of things one can do to decorate a comfortable yet elegant receiving area. For one, doing furniture rearrangements usually does the trick. Determine where the best focal point is. For example, if you have a grand piano, it may be best to arrange your furniture around it and that is where the guests' attention will be. You also have to make sure that the way you set your furnishings will not result to a cluttered atmosphere. Arranging in the so called 'off square angles' can also result to a more casual feel to the place.

Remember too that the type of colors you use will determine the level of warmth. The shades you choose can either invite people in, or annoy them. Green is a good color as it is welcoming as well as relaxing. Bear in mind that you have to make certain that whichever hue you decide to utilize, it should complement your carpet and chosen decorative stuff.

Placing some statues will surely add to the aesthetic appeal of your house. Those of the marble kind are the most recommended, and if small, are best placed on tabletops. You may choose any theme for your figurines, but the most appropriate will be those formed in the shape of deities, people, etc.

People who may not be interested in placing sculptures and carvings may resort to using lamps to accentuate the reception area. Not only will those unique in design be attractive; they can also provide light which can be used to add to the mood in the room. Try using the ones which have been made out of minerals, polished stones, etc. if you want an always glowing look, whether or not the bulb is switched on or off.

In the event that your area is only limited in size, you can still make it look larger. What you can do is to add a big mirror on the wall to create an illusion of wider space and at the same time produce more depth.

Placing small pieces such as a low table or a tiny bench is also a good idea as it can help liven up the surroundings. You may store newspapers and magazines under the small tables or place vases, plants, etc. on top.

The best living rooms have these characteristics: cozy, homey, appealing, and chic. They can be reflections of your style and taste. They may also be forms of the owners' self-expressions. Following the guidelines stated above definitely makes it possible to have a well designed place for receiving guests.


Interior Design Ideas For Living Rooms

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Saturday, November 12, 2011

Long Island NY Used Player Pianos For Sale Baby Grand $7700.

See more player pianos for sale at www.sonnyspianoTV.com Story & Clark, like new, only two months old. Used briefly as living room centerpiece in Model Home, flawless. 5' Hi-gloss black real acoustic (not digital) baby grand piano with state-of-the-art QRS "Petine" CD player system. Comes with 24 songs in the system memory and 10 player system disks each containing 12 songs or more. With Midi capability, you can download unlimited free music from the internet into your computer then burn the music to disks and put them in the petine system and it will play your piano. Other systems cannot do this and are limited to only playing Disks you have to purchase. The QRS Petine is the state of the art system you want. Also this is a full 5' baby grand piano not a 4'8".. under 5' pianos tend to sound tinney as the string are too short to give you a full rich tone. This is one of the best pianos and player systems available. Don't miss out ... only a limited supply available at this price. Warranty on piano and player system. We also have Story & Clark cherry mahogany, walnut, white, African mahogany gloss or satin baby grands all with same player system in sizes ranging from 5' and up from the same builder all only a few months old. Free LI vicinity delivery. All else continental USA only 0. Questions? (631) 475-8046.

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Saturday, November 5, 2011

Yamaha YPT-310 61 Full Size Touch Sensitive Keys with 500 Tones and 32-Note Polyphony

!±8± Yamaha YPT-310 61 Full Size Touch Sensitive Keys with 500 Tones and 32-Note Polyphony

Brand : Yamaha | Rate : | Price :
Post Date : Nov 05, 2011 21:13:15 | N/A


  • 61 Full Size Keys
  • 32 Notes of Polyphony
  • Portable Grand with the realism of a Stereo Grand Piano
  • Style File Format (SFF) allows you to download style data from the internet
  • 2-Track Sequencer and Flash ROM Store Your Music

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Yamaha YPT-310 61 Full Size Touch Sensitive Keys with 500 Tones and 32-Note Polyphony

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Wednesday, October 19, 2011

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Friday, October 14, 2011

Gloss Black "Baby" Grand 30 Key Childs Piano With Bench

!±8± Gloss Black "Baby" Grand 30 Key Childs Piano With Bench

Brand : Coolstuff4U | Rate : | Price :
Post Date : Oct 14, 2011 23:36:48 | Usually ships in 1-2 business days



This beautiful solid wood glossy black piano is perfect to start a young child's musical appreciation. This solid wood pint sized replica of the grand piano features 30 keys, giving your child a full 2 1/2 octave span. The keys are the perfect size for little fingers, and with a key height of 16 inches, your child doesn't have to keep their hands in an awkward position. It even comes with a matching stool for your child to sit on. The piano measures 19 inches tall, 19 inches wide and 22 inches deep.

This beautiful child's piano is brand new, never used. Some assembly is required, but no tools are needed. Check our other listings for more color options. Music is a very important part of a child's education, and this piano helps them get off to a great start. We have a limited supply of these, and they won't last long, so get yours now!

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Sunday, October 9, 2011

Yamaha DGX-630 88 Full-Sized Keyboard with Weighted Action

!±8± Yamaha DGX-630 88 Full-Sized Keyboard with Weighted Action

Brand : Yamaha | Rate : | Price :
Post Date : Oct 09, 2011 20:32:08 | N/A

The new top of the range 88 keys Yamaha DGX-630 features a fully weighted 88-note Graded Hammer keyboard action, a new piano sound with 64-note polyphony and over 500 high quality sounds.

The 88-key Yamaha DGX-630 is a weighted graded hammer action portable keyboard. Upgrades from the previous model include 64-note polyphony, a beautiful matching stand and an optional three-pedal unit, along with additional DSP (Digital Signal Processing) effects that enable realistic sounding Distortion Guitar and Rotary Organ. The Yamaha DGX-630 also includes USB MIDI and USB to Device for removable storage, along with a high resolution Live! Grand stereo sample, song recorder, score and lyric display. The Yamaha DGX-630 offers an affordable, feature-packed portable keyboard. It also boasts an authentic grand piano-like touch: heavy in the low end, feathery light in the highs, and amazingly responsive throughout.

Yamaha Education System (YES) offers an easy, intuitive method of learning how to play a keyboard music instrument. Stand, AC Adapter, Foot Pedal, and Quick-Start DVD are included. USB connectivity for easy matchup to optional PC software complements. Yamaha DGX Series offers a high quality, moderately priced digital piano, but also a diverse feature set typically found on high-end professional synthesizer products. 88 Graded Hammer Standard (GHS) keys Dual and split modes FC5 sustain pad, music rest and CD-ROM included GM and XG-Lite compatible Headphone port Large backlit (blue) LCD display Multi-fingering mode and 'full' keyboard mode available Optional 3-way pedal board available (model LP-7) Over 500 voices to select from Pitchbend wheel Registration memories (2 x 8 banks) Reverb, Chorus, DSP and master EQ effects Supplied with fixed-frame wooden stand and AC power adaptor Sweet, Live and Cool voice technology USB connectivity Yamaha Education Suite (Y.

  • 88 Piano style, weighted keys with Graded Soft Touch
  • 6-track recorder
  • DSP effects for more realistic sounding Distortion Guitar and Rotary Organ
  • 503 high-quality tones
  • Stereo Speakers

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Saturday, October 1, 2011

A Fear and a Dream (In English and Spanish)

!±8± A Fear and a Dream (In English and Spanish)

English version

A fear and a dream

A story of inspiration and determination

((Swimming Regional Champion) (in five parts))

A story based on real events, real people's name ...

Part One

The Post Office

(The winter of 2002)

(Winter 2002, St. Paul, Minn.), which saw them come from large trucks placed out of the U.S. 4th Street in the center of the city from the Mississippi River, the cold morning of Dec. 22 has seen alittle woman (four feet eleven centimeters in height), a little 'hard from the cold, with a bronze-Peruvian face and a sweet smile, looked from every corner of the mouth, and nearly pure dark brown hair to be black, brown as dark.

"A bit 'of certain pilots," said someone in the group stood outside the post office, lunch, smoke cigarettes. They were noted for their size and their determination to make a large truck that drove men usually drive alone, was aPostman, just learned to drive a year earlier, towards the age of 43 years. Men who had never seen before, this was their first months of driving thought it was a bit 'vague with their eyes, because so many people, men and women driving trucks in the state of Minnesota post. And he saw them as they go about their business, with a grunt, eyes tense, but functional, as it disappeared into the front seat of his large truck, with a largePillows behind her back to help them, and slide it forward half a foot, and another big pillow under her to do it, held the steering wheel and the seat to allow the short legs to reach the gas pedal. And then left to do their work, and perhaps he thought little 'more, knowing that he would have seen. And that was all.

And those who saw this little beauty, in the post a year after he drove the truck that big, seen as one of the most important storytellers, a jobThat are necessary for the post-six years not only a plus, strong skills in math and social skills, addressing the audience to know, a job, a person who had two languages, but not an obligation (for she was a a few of the very few to meet requirement), and had to move large bags of mail by dragging them here and there, if not as a storyteller, and in time, a very short time, promoted and preserved for response workers do not expect blinding, but the envy andJealousy, penetrates deep to do, especially in the lazy, but those complaints, the blatant lying and above fast idle, put them in a second class, saying that their abilities were far above them. What made all things, the victory was doubly right reached for these un-American, the breadbasket of America, which has worked with a work permit, married to an American, had met all the requirements to be an American, and that (in the year 2004) at theAge of 45 years, has started a sport that would change their lives (that would be afraid to take and replace it with a dream), would secretly by many in those days, when its "flowering late!"

Part Two
A trip to Minnesota

(January 1998-October 2009)

(It would be his second last name, which will be added in 2000, by Rosa Peñaloza de so Siluk) for a good long-Rosa Peñaloza had in Lima, Peru, he worked at the telephone company for fifteen yearsexactly, was a graduate accountant, and with all their free time was a devout Catholic, the parish church for you, for free. He never married, takes care of five families ((at the time of his mother and his father together with her sisters and brother-in-law and her children, as well as a girl with two children who all live in his house under his roof for several years ago when it was constantly busy) (from a family with eight children)).

His mother had told her he was approaching middle-ageand not married, something to think about. The local pastor they wanted a sister, to be superior to anything else. Prior to his church and working hours, he made time for his grandchildren (who were part of a potential emergency, preferring to suffer in an emergency situation, that would have taken under their wing) made their time , a continuous and living children for all and all.

These are small fluttering as a tag-end of their personal history, as I look back it seems, aresimply leaking out as I write, leading up to the present-which will be the championship.

Her own thinking, talks, things she can only remember, or had imagined, were never quite completely told to me by her (being her husband), thus, I have used fragments to catch up, or to bring up her life to the present day, fragments tossed in the air as by a wind and then abruptly dropped somewhere, someplace.

She was laughing heartily now, at her little successes, during those years. She had married in 2000, met her husband in 1999 (had been talked into taking a trip to America, Disneyland, by her mother, so she could enjoy life before she was put into her grave-and had been given a course in English, a birthday gift by her brother David, for whatever reasons, I never knew-had met him (her husband to be) at the airport in Atlanta, and that in itself is a story by itself) while he was on a trip to Peru. For this reason, she would leave Peru, to live with her future husband in Minnesota (prior to this they met in Guatemala to see the old ruins called Tikal for one week) and then they were married two weeks later; there was an element of sadness among her family, but also elation for her. Asked by a few of her friends "How can you take such a chance and marry a stranger, of sorts?" she replied, "Why would God give me a bad man?" And that was that.

She walked off the airplane, and walked onto the cold ground of Minnesota in February, of 2000, going forward a little unsteadily, life had not yet expressed itself fully for her, definitely in her mind, and for three of those six years she would live in Minnesota, she she'd roll about awkwardly.

At any rate, for her a second life had just begun. She would travel the world eleven-times; get her car license, a permit to carry a gun (an expert shot). She plunged again and again into the unknown, run her husband's tenant apartment business, helped with the taxes, and did the maintenance on the six buildings they now owned together and sent money to Lima to keep up their home there, and had a crew of five men to include one woman, who rebelled against her being a female boss. "You wait," her husband said, "I'll talk to the employees (to include his daughter, and son-in-law);" and he approached all of them, said in his stern voice, "If you can't work for my wife, you can't work for me!" Thus, that settled the issue of equal rights.

Hang on now, and you'll see now what happened.

Part Three
Belly of the Camel

From time to time, her husband started to learn, his wife, Rosa was terrified of water (not bottled water, but swimming in particular, the ocean, lakes, rivers, pools, anyplace a person could drown.) When he had taken her to Rio de Janeiro, on the most famous beach in the world, Copa Cabana, and he was in, what might be considered, shallow water, perhaps up to his wife's elbows, she panicked and started screaming and tried pulling him out of the water, as a great wave was forthcoming, one she didn't see, but he saw. Once the wave struck, her husband ready for it, picked her up with his right arm, in a loop around her waist, dug his feet into the sand, in karate like stance-firm, and withstood the onslaught of the wave, had he not picked her up, she, and all her 110-pounds would have been gone out to sea.

He tried to laugh at the situation, but did not succeed very well; it was a serious thing for her.

(Now that I am writing of my wife, I perhaps am not making a comfortable likeness of her. It maybe I overdo, or under do the notes of her life, but it is as I see it, and saw it, I am unable to temperament, or characterize it in her own account, since I am writing this in secret, and without her advise as I have often got when doing my writings-thus leaving all bias out. For one thing, she can be more cleaver than I give her credit for, and I seem to be making her out, simpler.

On many evenings I have spent with her, she was silent, and perhaps a little dull-or I was a little dull, she'd fall to sleep quickly, and of all the movies we watched, let's say 1000-in the years we were married, nine-years plus, she fell to sleep through 850 of them; and I'd read and write, and for many hours I did this, that's why, she'd walk away awkwardly (if she was not sleeping, or knitting) alone and along, doing something to break this boredom (I being twelve-years her senior), she'd finally find other things to do; at times, catch a cab, go shopping, etc.

My life was very active, had been very active prior to me becoming her husband (up to my heart attack and stroke, in 1993-94, and acquiring my neurological disease MS, in 1996...) and for a spell it became less active, and then as I improved, it became more active again, but never as active as it had been-if that makes sense; especially while in my youth, now in Rosa's later years she had become newly active...but nothing in the long run of our lives had been dull, or inactive for very long, to the contrary. I had found out, what perhaps she never knew, something she kept a harness on, a yoke around: she was locked in a bottle, and once opened, she was put into a large room-figuratively speaking-and it would be a hopeless affair to stop her now, it really was the summer of her life, life trickling down her back, there was nothing she couldn't do, once she put her mind to it! And whatever she did, she did it well, and complete.)

We were talking about swimming-were we not, and her fear of it, and water in general? I had thought she had given up the struggle to deal with her fear of swimming that she would run aimlessly through the earth's land mass, and jump over those water holes as life went on. But evidently I was wrong; her mind must have been striving to conquer water in all its drowning forms. She tried to swim in a swimming pool while in a four-star hotel in Copan, Honduras, she failed when she saw a frog in the water-of all things, it even maddened me to a point I criticized her, and I seldom have in the past made fun of her in any form, for there is nothing to criticize her for, and I apologized somewhere down the road I think for that. Perhaps in this one area of life, she was simply stumbling in the half darkness.

During the summer of 2004, she started taking swimming lessons from an Olympic Champion, in St. Paul, Minnesota, 0-dollars an hour. It had turned out disastrous. Oh she learned a thing or two in those six-months (the fear factor had faded slightly), and two-thousand dollars later, but she could not go into water any deeper than her knees, or turn about in the water, or dive, or do much of anything but swim (which in itself was a small and God given accomplishment)-lightly swim, as long as she could see the bottom of the pool with the naked eye. Swimming under water was out of the question. If anything, she had broken the first straw on the camels back, but the camel didn't fall yet. The death of the camel-symbolically speaking-would take some more years.

After that, and in the fall of 2006, her and her husband came to Peru, having a home in Lima, and one in the Andes, within the city of Huancayo. She was trying hard to adjust to her new environment; she had loved the city of St. Paul, Minnesota, and missed her disastrous swimming lessons.

Up to the very moment when it would happen-breaking the camel to its knees, it looked to her husband that swimming was out of the future equation, as far as anything significant, but the issue kept arising; however she had saved some money and she sought out another location in Lima for swimming and lessons (a last try from her husband, whom suggested she take it an inch at a time, instead of a foot at a time, which I suppose he had previously expected, he thus, wiped out all expectations of her, and told her to simply go and enjoy it), and the owner of the local pool, happened to be an Olympic swimming champion. Accordingly, she had been lead to two Olympic champions, and henceforward, she took a new undertaking, now she would break the camel's back, and it would drop to its belly not to its knees.

Part Four
The Late Bloomer

In the following eight-months, swimming became a very warm, and comfortable, and nice sport for Rosa. She would go swimming even if it was cold and rainy outside. It seemed at the time, as if the death of the camel had drawn her closer together with her once fear of the water. Perhaps both the water and Rosa felt it, perhaps Rosa being the more conscious of it; that pleased me at the time. And in time it would even come to the point, she'd go swimming in the evenings.

In Huancayo, she sought out two swimming locations, and did one in the mornings and one in the evenings (sometimes twice a day, at other times, a different one each day), and had conquered most of her fears-she could now dive well, pretty well, and by the first of October, 2009, she could do her flip-turns under the water, quite well, and swim 29-laps, Olympic swimming pool laps, she had stamina galore. She could do such swimming techniques as the: front crawl, back stroke, breaststroke and a little bit of the butterfly, and then came the camel again, back broken and all-for there still remained a deep water fear (but it didn't stop her, she was swimming under the water, fearsomely swimming), and her professors (or instructors), along with her coach for the nearing competition, Edson Azaña, at both pools told her, "You're going to be in the next regional championship, in November," a month away; she was now fifty-years old, competing against hard boned youth with agility, and reflexes to match.

It was a wonder to me how this woman could keep looking forward, burying defeat all along the way-in everyway, even when her fear was at its height, with its loud voice, she never once screamed defeat, she told herself, and she told me "I can't quite, I can't give up..." even when the devil was in the corner saying: 'You can't do it,' she screamed back, evidently silently, "Watch and see!"

And now for the last part of this story, 'The Championship' (to be continued) ...

Note.- I want to thanks on behalf of my wife to the instructors (and swimming pools): in USA, to Beth Peterson, Olympic Champion, from the YWCA; in Lima, Peru: Cabana, Miguel, Willy and Luis from the Juana Alarco; Atilio and Reynaldo from Ernesto Domenack (Olimpic Champion); in Huancayo, Peru: Omar Chavez from the Aquatic Park and Johnny Roca from the Juan Bosco Swimming Pools, and to the coach Edson Azaña from the Aquatic Park for training my wife for the competition.

Written 10-14-2009/No: 492

Spanish Version

(Versión en Español)

Un Temor y un Sueño
Una Historia de Inspiración y Determinación

Una Historia basada en hechos reales, usando el nombre verdadero de la persona...

Parte Uno
La Oficina de Correos

(Invierno del 2002)

(Invierno del 2002, San Pablo, Minnesota, Estados Unidos de Norteamérica) Aquellos que la vieron descender del camión grande de la Oficina de Correos, en la Calle 4 por el río Mississippi, en el centro de la ciudad, en la mañana fría del 22 de diciembre, vieron a una mujer baja de estatura (1.50 m.) un poco agarrotada por el frío, con una cara bronceada y una bonita sonrisa que se estiraba a cada lado de su boca, y con cabellos castaño oscuro, que parecían más bien negro, ella era peruana.

"Una pequeña chofer decidida" alguien, del grupo parado afuera de la oficina de correos, dijo, comiendo sus almuerzos, fumando cigarrillos. Ellos estaban comentando sobre su estatura y su decisión a manejar ese camión grande, que generalmente lo manejaban los hombres; ella era una empleada de la oficina de correos, y había aprendido a manejar sólo un año antes, a la edad madura de cuarenta y tres años. Los hombres que nunca la habían visto antes-siendo éste su primer mes de trabajo-pensaron que había algo erróneo con sus ojos, debido a tanta gente, hombres y mujeres también, en el estado de Minnesota manejando los camiones de la oficina de correos. Así ellos la vieron, murmurando, con ojos nerviosos, aunque con atención, la vieron ocuparse de su trabajo, mientras desaparecía en el asiento grande de su camión, con un cojín detrás de ella para soportar su espalda y empujarla quince centímetros adelante, y otro cojín grande en su asiento para levantarla hacia el timón, habiendo arreglado el asiento para permitir que sus pequeños pies alcanzaran los pedales. Y después ellos se fueron a trabajar, y talvez pensaron un poquito más sobre esto, sabiendo que la verían a ella alrededor.

Y aquellos que vieron a esta pequeña belleza en la oficina de correos, manejando esos camiones grandes un año atrás, la vieron como una de las principales cajeras, un trabajo que requería de seis años de experiencia en la oficina de correos-no uno, además, de grandes habilidades en matemáticas y habilidades en tratar con el público, un trabajo que requería de una persona bilingüe, aunque no un requisito (ella era una de las pocas, muy pocas que llenaban esos prerrequisitos necesarios). Ella movería grandes paquetes de correspondencia, jalándolos de aquí para allá cuanto no estaba trabajando como cajera, y en muy poco tiempo, fue ascendida, y recibió por respuesta la mirada amarga de sus compañeros, que ella no lo esperaba, pero la envidia y los celos, penetraban muy profundo, especialmente en el indolente; pero para aquellos que miraban amargados, con envidia y quejándose-los jefes los tranquilizaron muy rápidamente, poniéndolos a ellos en una categoría de segunda clase, diciéndoles que las habilidades de ella eran muy superiores a las de ellos. Esto hizo que las cosas estuvieran bien; la victoria se había cumplido dos veces en esta no americana, en el corazón de Norteamérica, quien estaba trabajando con un permiso de trabajo, casada con un americano; ella había cumplido con todos los requisitos para ser una ciudadana americana, y quien (en el año 2004) a la edad de cuarenta y cinco años empezaría un deporte que cambiaría su vida (que sacaría sus temores y los reemplazaría con un sueño), ella sería llamada por muchos-en secreto, durante aquellos días-"Un florecer tardío".

Parte Dos
Un Viaje a Minnesota

(Enero de 1998 a Octubre del 2009)

Por muchos buenos años, Rosa Peñaloza (su nombre sería cambiado en el año 2000, a Rosa Peñaloza de Siluk) había trabajado en la compañía de teléfonos en Lima, Perú-quince años, para ser más exactos-ella era una contadora y una católica devota que en todo su tiempo libre trabajaba gratis para su iglesia. Nunca se había casado, haciéndose cargo de casi cinco familias ((en ese tiempo su madre, su padre junto con sus hermanas, cuñados y cuñadas, sobrinos, más una empleada con dos hijos, todos viviendo bajo el mismo techo en su casa por muchos años, ya que ella era la que tenía un trabajo permanente) (y venía de una familia de ocho hijos)).

Su madre le había dicho que ella se estaba aproximando a una edad madura y soltera-algo en qué pensar. El sacerdote de la iglesia quería que ella fuera monja-algo más en qué pensar. Fuera de su trabajo e iglesia, ella hacía tiempo para ocuparse de sus sobrinas y sobrinos-haciendo de sus tiempos una animada infancia para cada uno y todos.

Estas son como pequeñas etiquetas de su historia personal, que parecerían, mientras miro atrás, estar simplemente goteando mientras escribo, dirigiéndose al presente-que será el campeonato. Sus propios pensamientos, conversaciones, cosas que ella sólo puede recordar, o haberse imaginado, nunca me fueron completamente dichas por ella (siendo yo su esposo), así, he usado fragmentos para coger o traer su vida al presente día, fragmentos lanzados en el aire como por un viento y luego arrojados abruptamente en algún lugar.

Ella ahora estaba riendo con gusto, por su pequeño éxito, durante aquellos años. Ella se había casado en el año 2000, había conocido a su futuro esposo en 1999 en el aeropuerto de Atlanta, mientras él iba en un viaje a Perú. Por esta razón ella dejaría Perú, para reunirse con su futuro esposo en Minnesota, Estados Unidos, y dos semanas más tarde ellos se casarían.

Ella bajo del avión y caminó en el suelo frío de Minnesota en Febrero del 2000, yendo adelante un poquito temblorosa, la vida no se había manifestado totalmente para ella, y tres de los seis años en que ella viviría en Minnesota, serían difíciles para ella.

En todo caso, para ella, una segunda vida acababa de empezar. Ella viajaría once veces alrededor del mundo, obtendría su licencia para conducir, un permiso para portar armas (una tiradora experta). Ella saltaría de nuevo y de nuevo en lo desconocido; ella administraba el negocio de arrendamiento de propiedades de su esposo, lo ayudaba con los impuestos, y se encargaba del mantenimiento de los seis edificios que, ahora, ellos tenían juntos, también enviaba dinero a Lima para el mantenimiento de su casa allí, y tenía un equipo de seis personas a su cargo, la mayoría hombres incluyendo a una mujer, quienes se rebelaron en contra de ella por ser una jefa mujer. "Tú espera", su esposo le dijo, "hablaré con los empleados", y él se dirigió a todos ellos, dijo con una voz severa, "¡Si ustedes no pueden trabajar para mi esposa, entonces no pueden trabajar para mi!". Así, se arregló el problema de igualdad de derechos.

Ahora espera, y verás lo que pasó.

Parte Tres
Barriga del Camello

Con el tiempo su esposo empezó a aprender, que su esposa Rosa, tenía terror al agua (no al agua en botella, sino a nadar en particular, al océano, a los lagos, ríos, piscinas, cualquier lugar en el que una persona podría ahogarse).

Estuvimos hablando acerca de nadar- ¿cierto? Y el temor a esto, y al agua en general. Pensé que ella se había rendido en la lucha para vencer el temor a nadar y que ella correría sin dirección a través de la tierra, y que saltaría sobre aquellos charcos de agua mientras la vida continuaba. Pero evidentemente estaba equivocado; su mente estaba luchando por conquistar al agua en todas sus formas. Ella trató de nadar en una piscina de un hotel cuatro estrellas en Copan, Honduras, pero ella fracasó cuando vio a una rana en el agua-de todas las cosas, esto incluso me molestó muchísimo al punto que la critiqué, y nunca lo había hecho antes, porque no hay nada de que criticarla, y en algún momento me disculpe con ella por esto. Talvez en esta área de la vida, ella estaba simplemente tropezando en medio de la oscuridad.

Durante el verano del 2004, ella empezó a tomar clases de natación con una campeona olímpica, en San Pablo, Minnesota, costaba cien dólares la hora. Esto resultó desastroso. ¡Ah! ella aprendió algunas cosas en esos seis meses (el factor temor se había disipado ligeramente y dos mis dólares), pero ella no podía entrar en el agua que estuviera más arriba de sus rodillas, ni darse vueltas, ni clavados, sólo nadar, ligeramente nadar, siempre y cuando ella pudiera ver el fondo de la piscina a simple vista. Nadar bajo el agua era imposible. Si había algo, era que ella había roto la primera paja de la giba del camello, pero el camello no se había caído todavía. La muerte del camello-hablando figurativamente-tomaría lugar algunos años más.

Luego de ello, en el otoño del 2006, ella y su esposo vinieron a Perú, teniendo una casa en Lima y otra en Los Andes, en la ciudad de Huancayo. Ella estaba tratando duro de acostumbrarse a su nuevo ambiente; a ella le había gustado mucho la ciudad de San Pablo, Minnesota, y extrañaba sus desastrosas clases de natación.

Hasta el mismo momento cuando esto ocurrió-doblar al camello a sus rodillas-le pareció a su esposo que la natación estaba fuera de una futura ecuación, en lo que respectaba a algo significante, pero el tema seguía surgiendo; sin embargo, ella había ahorrado algo de dinero y buscó un lugar en Lima para nadar y tomar clases (un último intento de su esposo, quien sugirió que lo tomara pulgada por pulgada, en vez de pie por pie, que supongo él previamente lo había hecho; él, así, borró todas las expectativas de ella, y le dijo simplemente que fuera y disfrutara). Y sucedió que el dueño de la piscina era un campeón olímpico en natación. Por consiguiente, ella había sido dirigida por dos campeones olímpicos, y en el futuro, ella tomaría una nueva responsabilidad, ahora ella rompería la giba del camello, y este caería en su estómago no sólo sobre sus rodillas.

Parte Cuatro
Un Florecer Tardío

En los siguientes ocho meses, la natación se convirtió en un cálido, cómodo, y bonito deporte para Rosa. Ella iría a nadar incluso si hacía frío o estaba lloviendo. En ese tiempo parecería, como si la muerte del camello la habría acercado más cerca con su, una vez, temor al agua. Talvez ambos, el agua y Rosa lo sentían, talvez Rosa era la más consciente de esto; esto me complacía. Y con el tiempo incluso llegaría al punto de que ella iría a nadar en las tardes.

En Huancayo, ella buscó dos piscinas, en la que iba a nadar un día en las mañanas a una y al siguiente día en las tardes a la otra, y había conquistado casi todos sus temores-ahora ella podía hacer clavados muy bien, y para el primero de octubre del 2009, ella podía darse la vuelta olímpica bajo el agua, nadar 29 vueltas en piscinas olímpicas, ella tenía resistencia a montones. Ella podía nadar, estilo libre, espalda, pecho y un poco de mariposa; y luego, el camello viene de nuevo, con la espalda rota y todo-porque todavía permanecía el temor al agua profunda (pero esto no la detuvo a ella, ella estaba nadando bajo el agua) y sus profesores o instructores en ambas piscinas, junto con su entrenador para la competencia cercana, Edson Azaña, le dijeron: "tú vas a estar en la próxima competencia regional de natación, en noviembre", a un mes; ella ahora tenía cincuenta años de edad, e iba a competir con personas más jóvenes,

Era un asombro para mi ver cómo esta mujer continuaba adelante, enterrando derrotas a lo largo del camino-en todas las formas, incluso cuando su temor estaba en su máximo, ella nunca gritó derrota, ella se dijo a si misma, y me lo dijo: "No puedo dejarlo, no puedo rendirme..." incluso cuando el diablo estaba en la esquina diciéndole: "tú no puedes hacerlo", ella le gritaba respondiéndole, evidentemente silenciosamente, "Observa y verás".

(continuará...)


A Fear and a Dream (In English and Spanish)

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Tuesday, September 27, 2011

New model 123-0 Estey piano played by Maria Pinto

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Tuesday, September 13, 2011

76 Key Portable Grand with power

!±8± 76 Key Portable Grand with power

Brand : Yamaha | Rate : | Price : $327.99
Post Date : Sep 14, 2011 01:20:17 | Usually ships in 1-2 business days

76 piano-style keys with Graded Soft Touch action, stereo piano sound, a built-in recorder, Pitch bend wheel and USB computer connectivity. Keyboard . 76-key box type (E0-G6) with Touch Response, Graded Soft Touch. Display. Large backlit LCD. Yamaha Education Suite. Waiting, Your Tempo, Minus One, Chord Dictionary. Songs. 30 Preset Songs + 5 User Songs + 70 on CD-ROM, Performance Assistant Technology ON/OFF, Chord, Chord/Free. Voices. Total Number. 489. Compatibility. General MIDI (GM) & XGlite compatible. Piano Voice Quality. Stereo. Sweet! Voices. Flute, Pan Flute, Trumpet, Soprano & Tenor Sax. Cool! Voices. Galaxy Electric Piano, Rotor Organ, Organ. Dual/Split. Yes/Yes. Drum Kits. 10 Drum + 2 SFX Kits. Polyphony. 32 note max. Auto Accompaniment. Styles. 160 + 1 User Style. Variations. Intro, Main A/B, Ending, Fill-in x 2. Control. Accompaniment on/off, sync-start, start/stop, intro/ending, main A/B (auto fill). One Touch Settings. 1 per style. Registration Memory. 2 x 8 Banks. Music Database. 300 + External files. Digital Effects. Reverb: 9 types. Chorus: 4 types. Harmony: 26 types. Sequencer. 6-tracks to record your own songs. 5 songs. Real Time Control. Pitch Bend Wheel. Interface. USB MIDI IN/OUT (PC/Mac), USB Song Transfer (PC only), USB Style Transfer (PC only). Auxiliary Jack. PHONES/OUTPUT, DC IN 12V, USB, SUSTAIN. Amplifier. 6W + 6W. Speakers. 12cm x 2 + 3cm x 2. Power Supply. Adapter: Energy saving* PA-150 or an equivalent recommended by Yamaha (optional), Batteries: Six "D" size (optional). Dimensions: (W x D x H). 46-3/8" x 16-1/4" x 5-3/8" (1,178 x 412 x 137 mm). Weight. 18 lbs. 5 oz. (8.3kg).

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Thursday, September 1, 2011

101 Sticks

!±8± 101 Sticks

If you're a drummer, then you know that some thought is necessary to choose the right chopsticks. All the sticks are not created equal!

The general classification of chopsticks is part of a series of numbers and letters, such as 5A, 7A, 2B, etc. to allow various sizes and weights available for various types of play and musical preferences. The number refers to the size of the stick, the lowest number with the larger dimensions and to the defect. The letters arechosen to correspond with the types of game. 'S' stands for 'street', so often the choice of bands. 'B' sticks to the use of "bands" as symphonic or marching bands and the 'A', strange as it may be, are designed for "orchestra" sticks, which are increasingly popular with rock and jazz artists. Let's take a look at 2B for example, a heavy stick of rock and R & B musician, popular because they need a lot of volume while playing. On the other hand, a 7Apreferred choice for acoustic jazz and less volume needed.

They have a choice to be the purchase of chopsticks, if you go for wood or nylon tips. The standard wood top creates a softer sound than the tip of nylon, which is off to a sharp tone, especially if you use the pool. Nylon tips may bend under hard impact, while wooden sticks can break and splinter.

In recent years musicians have been experimenting with designs that specifically target speciala better grip and greater longevity, as the rubber sticks to break what is impossible, but it should not cost you a little 'more.

So what are the most important things to consider when buying rods?

You could start with choosing the type of wood. They are the most commonly used wood sticks maple, walnut and oak. Maple is the lightest of the three and therefore the most flexible, making it a good option for beginners. Hickory is the most versatile and popular choice, it takesEnergy is still good and, although slightly heavier maple flexible. Oak sticks have a longer life because they are denser than other woods, but the same reason also have a reputation of delivering a lot of vibration.

To the right size, you should know what kind of bands playing in clubs 5B and 2B are the most abuse and are good to resist thinking in brass bands and heavy metal groups. Generally, a 5A or 7A to be the best optioneasier to play, like jazz.

If you are prone to sweaty hands, try to avoid points painted, as you might end up losing the grip and the sticks flying left, right and center. The look and feel of the paint is the most desirable, but playing on the risk of elimination, it is better to give up. There are also sticks with rubber grip included for those who are losing are really aware of their plan.

Try to save the sticks as they are not valid. If a title isnot only to be likely to produce a distorted sound, and are also more prone to breakage. Roll out on a flat surface, the tip should be smooth and should remain the same.

Above all, you have to attack as an extension of feeling. Experiment with various types up to an optimum level of comfort and sound, it has the look.


101 Sticks

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Friday, August 26, 2011

Austin Bazaar Kids 30 Keys Baby Grand Piano with Matching Bench - Black

!±8±Austin Bazaar Kids 30 Keys Baby Grand Piano with Matching Bench - Black

Brand : Austin Bazaar
Rate :
Price : $59.99
Post Date : Aug 26, 2011 21:29:53
Usually ships in 1-2 business days



This 30-key Piano is an ideal introduction to music for toddlers and children! Mozart began creating his masterpieces at a young age, proving that it's never too early to begin making music. This child-size piano is just the right size for small hands, and provides the look and feel of a concert-sized grand piano. It features 30 playable keys and has a "baby grand" Piano style. It is made of hardwood and hardboard materials which keep a low price and high durability. It is available in four different colors: Pink, Black, Blue, and White. The Piano measures: 19 1/4"H x 19 7/8"W x 21 1/2" and the matching bench measures 9 1/4"H x 9 5/8"W x 6 1/2".

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Tuesday, August 23, 2011

Grand Piano Clamp Lamps Clip-On

!±8± Grand Piano Clamp Lamps Clip-On

Proper lighting is important when playing or practicing the piano. Floor lamps are designed for flexibility in directing light exactly where needed, to allow the music and the piano keys. The House Plan Troy lamps are designed with musicians in mind. They are solidly built, provides flexibility in the management of light, there are many models, styles and designs, and many are portable and lightweight, so musicians to transport to shows andSamples.

They are wing-lights are available in several variants and allows musicians to choose where the lamp of the piano room. The most popular style is the lamp wing clamp or clip-on lamp. This type of lamp clamps to note holders (lectern) with small screws to hold it in place. The inside of the bracket must be protected with felt on the piano from scratch. The on / off switch is located either in line (6 "from the terminal) oritself with the shade for easy access.

The width of the notes and books on music usually ranges from 12 "- 18". The shadow of the great lamps clamp sizes range from 10 "to 22" in order to provide a reasonably wide spread of light across the full width of the cover of an open book of music. The colors of these lamps swing to develop the light directly on the music and touch. Flexible Cutting shades glare even in bright light shining directly into their associatedEyes.

One of the advantages of the clip-on lamp-wing is that the light directly on the music, which shines on them to peak and lit up the music and the keys. Another advantage is that the bulb does not stop at the piano is the place that you can set other things on the piano as metronomes, music, books and other objects. And another advantage is that these lamps are lightweight and portable so they can be transportedEvidence and exhibits. They also have the music, and in all other areas that could be stretched to work.

This connector style lamps are available with various types of lighting, giving musicians more choices. A few incandescent lights, while others use fluorescent tubes, and others using the technology of LED lighting. All offer plenty of light to clearly read your notes or books of music, and reduce eye strain associated with improperconcentrated light. Led-wing lamps have become very popular recently due to their energy efficiency and long life of the bulb.

House of Troy makes these lamps in a wide range of beautiful patterns including the styles of shadow, thin line of models, lamps, low profile, and also a model battery. They are available in different versions like: polished brass, black, mahogany, bronze, satin nickel, and various combinations of these models. This charming piano-lampsnot only illuminates your piano through the provision of law concentrated light, but also your piano and elegant classy look, and help them connect to the room's decor.


Grand Piano Clamp Lamps Clip-On

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Thursday, August 18, 2011

Yamaha DGX-530 Keyboard, 88 Full-Sized Lightly Weighted Piano Style Keys

!±8±Yamaha DGX-530 Keyboard, 88 Full-Sized Lightly Weighted Piano Style Keys

Brand : Yamaha
Rate :
Price : $445.00
Post Date : Aug 18, 2011 18:10:08
Usually ships in 1-2 business days



All the best sounds are available at the push of button and recording virtuoso performances is simple with built in recorder. The Yamaga DGX530 features 88 Graded Soft Touch keys. The Yamaha Education Suite and USB connectivity (USB to Device) add functionality. 88 Graded Soft Touch keyboard Acoustic, super-expressive Live!, Cool! and Sweet! Voices (127 + 361 XGlite + 12 Drum/SFX Kits) Easy Song Arranger feature and Performance Assistant Technology USB connection for convenient storage and song data playback Pitch bend wheel to add smooth pitch variations to notes played 6 recordable tracks, 5 recordable songs 32 note Polyphony Master EQ, Reverb and Chorus Effects Graded Soft Touch Keyboard Just as on an actual piano, the lower keys are heavy in touch and the higher keys are light, with soft touch of digital keyboard for beginners. Amazingly Realistic Sounds Yamaha's highly acclaimed Sweet! and Cool! Voices deliver incredibly natural and dynamic sound. Use the Pitch Bend wheel, and hear these Voices--especially the Sax and Trumpet--truly come alive! Live!, Cool! and Sweet! Voices A huge palette of acoustic and electronically amplified instrument sounds. A blend of long, stereo and multi-layered samples is used to fully capture the natural presence, resonance, expression and vibrato of the real instrument. Easy Song Arranger In addition to each song's default style, you can select any other style to play the song with the Easy Song Arranger feature. This means that you can play a song that is normally a ballad, for example, as a bossa nova, as a hip-hop tune, etc. You can create totally different arrangements by changing the style with which a song is played. You can also change the song's melody voice and the keyboard voice for a complete change of image.

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Tuesday, August 16, 2011

Chopin Etude No 10 No. 2 audio + notes

Martha Goldstein noted: pf The reason to "lock" can be heard in this piece, because it is on a 1851 Erard piano is played. Additional information: What would be the Etudes of Chopin on the piano sound from the time of Chopin? We will never know the true answer, but Martha Goldstein gives us at least a clue, when he recorded the complete set of Chopin Etudes on a Erard compared to 1851. First a word on the piano. The invention of the double lock mechanism by Sebastian Erard in 1822 has transformed theto the technical possibilities of the piano of Beethoven for piano by Chopin. The Etudes of Chopin were now possible because of this increase in performance. These early pianos sound different from that of the modern piano. They are designed for low string tension, with lights, bridge lighting and a sound card thin. As a result, the explosive sound produced and decays rapidly. The rapid decay of these pianos have a special character. There is more clarity in fast passage-work, as the modern wing. TheBeginning piano methods gave a high value on speed, because it was a prerequisite for the brilliance of these tools. Related and support the powers of the device are small compared to the great modern. Were played faster because of slow movements, as evidenced by metronome marks in the early editions of the Etudes. The search of the legacy was a permanent struggle for the pianist. The Erard grand piano was known during the era of Chopin. Unfortunately, the doors of Erard now closed, the...

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